Dick Clark picked up the phone and cut to the chase. " said the man who was involved with too many TV projects for a reporter to keep track of. They would have a microwave in my hotel room and instead of spending my money that way, I would go to a grocery store and buy a frozen dinner or something. Soon, Prince was slated as James’ opening act for the (2007): “The first time I saw Prince and his band I felt sorry for him.
Clark asked the musician how many instruments he played. I Wanna Be Your Lover New York City, February 1980. I was shooting for both back then and this assignment came from SWN. My photo editor instructed me to shoot the usual concert shots but also asked that I wrangle a backstage portrait. It was the beginning of what I thought stardom was like. So, you learn to change your habits with what you do with money. Backstage shenanigans of stealing instruments, physical confrontation and general intolerance were served cold by each artist.
Prince answered, "Thousands." said the man who was involved with too many TV projects for a reporter to keep track of. The shoot was at the Bottom Line, a club in Greenwich Village famous for showcasing new artists. Usually the editors handled that part of the assignment logistics but not this time. There was a lot of noise about this mysterious young musician from Minneapolis, so I showed up early and waited by his dressing room door. You can make $55,000 or $100,000 a year, (but), if you manage your own money wrong, shame on you! Long after parting ways, Prince and James never resolved their resentment and remained touchy when comparisons were drawn between them.
He wanted to know the subject and the media in which this interview was to be presented. The concert stuff was easy for me, but having to talk my way backstage … After fifteen minutes of light door knocking, a large man opened the door. You could go out and eat wherever you wanted, because, there was always money to do that if you wanted to. The perks of working with Prince were that you were paid, whether you performed or not, because, you had to be kept on the payroll. Hmm, sounds like she regrets leaving the rock star lifestyle, but she didn't seem to be a fan of the onstage antics. Produced, Arranged, Composed and Performed by Prince Engineered by Gary Brandt Assistant Engineer: Mark Ettel Recorded at Alpha Studios, Burbank, California Remixed by Bob Mockler and Prince at Hollywood Sound Recorders, Hollywood, California One of the songs Prince wrote in 1979 was actually inspired by, and intended as a demo for, Patrice Rushen.
When he learned it was "The American Music Awards" for a newspaper, he said to fire away and, in his answers, he proceeded to drop more expletives than Axl Rose at a Guns N' Roses concert. I asked one of popular music's all-time most important tastemakers to revisit his infamous 1980 interview with , our local hero, on "American Bandstand." Prince was just starting out. I looked up at him as he looked down at me; neither of us spoke. It wasn't a lot of money, but, it what was you needed to get by. The last thing he ever said to me was “Gayle, if you ever need my help, you just let me know.” It was a very difficult decision to leave. If I was going to have “jobs” the rest of my life, there were jobs where I could make a lot more money. If she stayed on, Wendy and Lisa probably woud have never happened and Gayle probably would had a larger role in songwriting and production. Despite a serious crush on the singer/keyboardist, he didn’t get the song on her album.
While he was exciting when he performed, he was shy and standoffish when trying to talk. Then I heard a weird, high-pitched sound come out of me, asking to take a photo of Prince. They would have a microwave in my hotel room and instead of spending my money that way, I would go to a grocery store and buy a frozen dinner or something. I lived about a mile and a half down the road from him in a cabin on a resort. But he did gain a friend and his first Gold record.
Clark asked the musician how many instruments he played. His eyes never left my face as he shook his head no and shut the door. Two hundred fifty dollars was more than I had (previously) made in a week. I just saw that if that was the (salary) cap on what I was doing... I realized that I wasn't growing and I needed more. I was in Prince's world and if I stayed, that's where my growth and energies would be and I wanted more. I told him I needed to talk to him, because, I was thinking about leaving (the band). While I WANNA BE YOUR LOVER was atop the R&B charts and threatening the pop Top Ten, Warner Bros. Sometimes criticized for being too slick, or even derivative, in retrospect there is something decent that can be said for all of the nine songs on Prince’s sophomore album.
Prince answered, "He's an extraordinary performer and not a particularly verbose one in public conversation. Privately relieved that I would only have to shoot the concert, I turned away just as the door reopened and an even larger man appeared. As the lights dimmed and the opening act walked onto the stage, I felt a hand on my shoulder. I flew (on an airplane) every time I traveled and had my own hotel room. I knew that I needed the opportunity to do more and make more (money) if I was going to live the way I wanted to. (People) always ask me “Did you leave, because, of Dirty Mind? I don't know if it was the mother instinct, because, it didn't feel like that. I was in a band, touring and it was the most fun I had in a long time... For the purpose of this collection we will limit our focus to its other R&B hit, WHY YOU WANNA TREAT ME SO BAD? The latter is significant in suggesting how commercially Prince could discipline himself to write when the song was aimed at an artist other than himself.
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